Over the last decade, Lanegan and Garwood have worked in tangent on 2013’s ‘Black Pudding’ as well as on Lanegan’s solo records (Garwood contributed to 2012’s ‘Blues Funeral’ and 2017’s ‘Gargoyle’ after which he toured as part of Lanegan’s band). This summer, the duo are set to release their second album ‘With Animals’ on Friday 24th August.
‘With Animals’, the twelve songs are spectral and sinewy, often defined by the spaces in between the sounds. A ghost’s whistle weaves itself around a pulsing single note on ‘Lonesome Infidel’; ‘Feast to Famine’s’ hard luck story floats above a guitar part so strung out and washed with distortion it’s become barely recognisable. It’s soul music for anyone who’s long since left the crossroads
Lanegan & Garwood have shared a video for ‘Save Me’, the album’s first single and opening track. See it on Youtube: https://www.youtube.com/watch?v=6XZ2TqnI_jA
The writing and recording of ‘With Animals’ was split between studio collaboration and sharing music between Garwood’s home in London and Los Angeles where Lanegan resides. Technology made the duo’s transatlantic working relationship relatively easy.
“Over the years, we’ve recorded together and apart. This time, I started this record alone, with many animals as company,” says Garwood.
“It flowed, I set to work and out it came. Our music is instinct, there is not much talking about it, just creating. I think that if you are at peace with your work, and feeling it right, it flows, and can feel ‘easy’. Music isn’t meant to be hard. Though sometimes it can burn you to ashes. Making music for a singer, so they can inhabit it with a song means hitting the right soul buttons. There is no hit without a miss. It is a healing record, for us the makers, and for the listeners. It grows natural. We are gardeners of sonic feelings.”
While ‘Black Pudding’ put Garwood’s mercurial guitar centre stage, ‘With Animals’ is constructed from a different set of tools. Analogue and dust flecked, it sounds like Lanegan and Garwood have been holed up in a ’60s recording studio while the apocalypse rages outside. Tracks sit on loops that sounds like they’re straight out of There’s A Riot Goin’ On while sparse melodies nod in the direction of British electronic producers like Burial or Boards of Canada. Which is not to say it sounds like any of those things – this is a weird world all of their own design.
The co-inside with the new record, the duo have announced a number of European headline shows where they will be performing track from both ‘With Animals’ & ‘Black Pudding.’